who is konstantin|odin
Konstantin Odin, opening of Felix Jud 100 Jahre 100 Künstler 100 Werke, photo by Marleen Taube
Born in Berlin and based in Hamburg, Konstantin Odin is a portrait and fine art photographer known for his minimalist and focused style. With a strong background in Public Relations and Communications and years of experience working for agencies across Germany, Konstantin's work is driven by his unique ideas and a deep appreciation of light. He currently works from his studio in Hamburg where he specialises in conceptual art - visual philosophy portrait photographyabstract artmonochrome photographydynamic photography
Konstantin's passion lies in exploring the medium of photography, particularly in the areas of true monochrome digital photography and dynamic photography. He is adept at using technology to create stunning work that engages the viewer with its content while pushing the boundaries of the medium itself. His work has been exhibited and published internationally, showcasing his artistic vision and technical expertise.
Whether working in his Hamburg studio or travelling the world to capture his images, Konstantin works with a network of top hair and make-up artists, styling experts and technical partners to ensure that every detail is considered to create the perfect photograph. His studio is equipped with state-of-the-art lighting and photographic equipment, as well as a high-end printer and workstations to ensure the highest quality results. In addition to his role as a photographer, Konstantin enjoys taking on various roles within the creative process, such as digital operator, fine art post producer, light setter, IT specialist, fine art printer, art director and consultant for open projects. This diverse experience allows him to bring a unique perspective to each project and to remain open to new ideas and collaborations.
the concept of visual philosophy
Konstantin's work is inspired by the concept of visual philosophy, which explores the complex question of "how to be human". Recognising that most human communication is visual, through shapes, contrasts and spaces, he explores how these elements influence our perception of the world and each other. From identifying emotions through facial expressions to categorising individuals based on appearance, Konstantin's work challenges societal norms and individuality, inviting viewers to question social evolution and human perception.